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Lucid Telepathic Dreams

Hope's Kitchen

(First Lucid Telepathic Dream)

Jingle Dreams

(Lucid Telepathic)

Line Dancers In The Emporium

(Lucid Mutual & Telepathic)

Hope's Kitchen: First Lucid Telepathic Dream

When I first began lucid dreaming on a regular basis, most of my dream meetings were with unknown people. The second most frequent category included the people I knew at work. My place of employment was quite volatile, so it was hard to obtain evidence that my lucid dreams were more than simple conversations with myself. I needed some neutral information to share and compare.

Finally, one night, I had this lucid dream series. It demonstrates the persistence required of deliberate dreaming. I had to keep forcing myself back to sleep in order to continue the lucidity.

Hope's Kitchen, 10/30/83

Off to the right of a raised stage, I am seated, talking with a woman who is indistinct and translucent. I ask, "Will you hug me?" and reach out to hold her. I touch her upper torso and can feel the soft folds of skin on her stomach as the dream fades. (I return to sleep.)

I am in a small, green room with a few pieces of furniture. There are similar cubicles nearby. In front of me is a mirror that's shining brightly but has no reflection. I wonder if all the pieces of furniture are hallucinations and decide to find out. I pick up a white plastic chair and throw it through a dark window to my right. It's actually a square hole bordered by a wooden frame. The chair is followed by a table; then I heave a water heater through the hole. I mange to get rid of all the furniture, then decide to go into the blackness myself. It's completely dark. I turn around. Looking back, I can see the rectangular glow of the room from which I've come. The dream fades. (I return to sleep.)

I'm viewing a bathroom from several different perspectives. Then I'm in a yellow room with another woman. I ask her, "Can you put your arm through the wall?" "No," she replies. "I can," I tell her and do. Actually, I put my whole self through the wall.

The next room turns out to be a living room. I walk to a window at the end and try to go through the glass, but get wrapped up in it instead. I back out. On a color TV, the Governor of Montana is talk about some disaster. The dream fades out. I continue to listen to the words in order to try to bring the dream back. (I return to sleep.)

I find myself in a kitchen with two men, one who is a grandfatherly type. Since I'm lucid I ask him, "Where are we? What year is this?" He replies a mumble which ends with the word, "Pepper." "Pepper?! What kind of answer is that?!" I respond. Then I see Hope (a woman on my staff at work) and ask her, "Where are we?" She responds by first asking me if I'm someone she knows and suggests a name.

"No, Linda," I retort with emphasis. I repeat my questions of where and when. She answers, "Topeka" and "1948."

That morning I went to work and asked Hope whether "Topeka" and "1948" had any significance for her. Her jaw dropped. "How did you know about that?" she asked. I replied as nonchalantly as I could, "Oh, I saw you in my dream last night." Instead of looking at me weirdly, she became intrigued, so I told her more specifics. Hope recalled that her husband had been stationed at a military base somewhere in Kansas in 1948, but she couldn't remember exactly where the base was located and went home to find out. The next day she reported that, indeed, he had been stationed near Topeka.

Perhaps this small bit of information within a much larger dream adventure could be considered trivial. But I was impressed that the "facts" of the matter didn't come directly from Hope's conscious memory. She had to confirm with her husband what her dreaming self seemed to already know.

The Lucid Dream Exchange, 14 (2000), 4-5.

Jingle Dreams: Lucid Telepathic

A dream to hang on the Christmas tree, that's what I needed. It was Friday, the night before the Bay Area Dreamworkers Group holiday party, and I still hadn't dreamt up an experience to share with the party-goers. So I gave myself a strong "it's now or never" suggestion and drifted into sleep. In the late morning, my mind began to weave an elaborate dream. After many adventures, my dreaming self started to question the dream plot. Finally, I became lucid.

Christmas Entertainment, 12/1/89

I remember playing music earlier in the dream as well as my incubation task. I decide it would be more appropriate for a Christmas dream to have Christmas music. Dark-haired women are rushing here and there throughout this old house of many odd, greenish rooms with thick walls and skewed doorways. I try to stop the women and get them to sing with me "Away In A Manger" and "Oh, Little Town of Bethlehem." But they only accompany me through the first few words before running away again.

Finally I figure I might have more success with an easier song. "Does anybody here know 'Jingle Bells'?" I ask, entering still another room with a slanted floor step. A strong woman's voice responds to the tune of "Jingle Bells:"

"Jingle bells / Oh, little bells / Jiggling in the sun..."

Obviously the woman is creating her own humorous variation of the song. As she continues to sing, I cross the room to another door. In its center is a small rectangular pass-through just large enough so I can see the woman's eyes, moving lips and the fact that she has light hair. I come closer to see if I can recognize this jokester. I do. It's Patricia Keelin.

Keelin called me later that Saturday saying she couldn't attend the festivities but could I stop on the way to pick up her Christmas dream and the ornament she had created in ceramics class? Yes, I could, I said and told her I had dreamt of her that morning. "Oh, I hope it wasn't anything embarrassing," was her immediate response. I laughed, thinking how close she was. "You'll have to decide that for yourself!" I made a copy of my dream and exchanged it with Keelin's while we met briefly. Five days later Keelin called me on the telephone. She told me she was feeling a strong sense of déjà vu because of the dream she'd had that morning:

I telephone Linda to tell her about the amazing and amusing synchronicity of her dream with my own waking reality experience.

So what was the waking experience that triggered my dream of her? Here's Keelin's own journal entry:

Thursday evening (November 29th) en route to ceramics class, I spontaneously burst into song. A few traditional Christmas carols suggest themselves but I settle on "Jingle Bells." There is no one else in the car, and I'm feeling quite impish and full of child-like mischief as I change the words a bit, improvising a version I'd never sing in public:

"Dashing through the snow / In a one-horse open sleigh
O'er the fields we go / Farting all the way
(Here I add 3 short raspberries)
Jingle bells, jingle bells / Jingle all the way
Oh, what fun it is to fart / In a one-horse open sleigh (Rasp!) (Repeated)

After I finish singing and chuckling, I think my behavior somewhat bizarre and wonder what has gotten into me. I remember feeling grateful that no one was within hearing distance!

"I'm still laughing o'er this one and the amazing synchronicity of Linda's dream," she concluded. "Oh, what fun it is!"

No one within hearing distance, indeed! My telepathic dreamself is an imp, too. What better holiday fun to share than one where two jokesters giggle/jiggle/jingle together?

Electric Dreams, 5/1 (1998).

Line Dancers In The Emporium: Mutual (with daughter) and Telepathic (with colleague)

Line Dancers In The Emporium, 5/12/86

I feel myself lifting out of my body and pull back so that I'm lying on my back, suspended in the air. My daughter Teresa comes in to the bedroom and begins to talk with me. I tell her, "I think I'm levitating. Go get Victor!" because I want my son to witness this feat, too. Teresa goes out and returns with someone, but the person has a female voice

During this time there's been no picture at all. I've just "sensed" my location in the bedroom, off the right side of the bed. Gradually the image becomes visible. As I pull myself upright, turn and go out the door, a vivid scene is established. I realize that the alcove outside my bedroom door is not in my house: it has wallpaper with a small floral print and is shaped unlike my hall. Oh, darn! I'm not out-of-body in my bedroom, I'm in a lucid dream. Teresa is in the alcove talking with an older, taller, light-haired woman or girl.

(When I woke, Teresa said she had a dream of being inside a house with her friend Sharon. She told me that my husband Manny and I were also there "chatting.")

I decide to find a group of people and walk down the hall. I go through several rooms where I practice spinning and other movements while still retaining lucidity. Finally I come upon a ball room. Along the way, a male companion has joined me.

There are people in lines dancing in unison, like the minuet. They all look like they're in a daze. I wonder, because of the costumes, if they are my aspects, maybe past selves? Yet they seem contemporary. I cross the ballroom with my companion asking aloud, "I wonder why there aren't more lucid dreamers in this area?"

My companion speaks for the first time in reply. "To keep the peace." He seems to mean he believes that if they were aware of their energy it would explode into a World War III situation. His choice of words and tone of voice take me aback. I swing around and face him directly. It turns out he's a dark-haired man about my size.

"You mean they are anesthetized!?!" I am outraged. He cringes away from me and heads toward some stairs leading downward. Just as he gets to the banister he replies, "Yes!" and disappears down the stairwell.

I am stunned at this revelation and walk slowly over to the right side. I discover I'm standing on a mezzanine. In front of me is an oval opening and another set of stairs leading down into a huge area, like the ground floor of the San Francisco Emporium department store. Looking down at the shoppers I hesitate: should I go down to them? I don't want to. I'd rather stay here and have them come up to me.

That day I went to visit my colleague Fred Olsen concerning Bay Area Dreamworkers Group business. At the time, Fred lived in San Francisco. Something seemed to urge me to share my dream with him. I told him that I was perplexed because the minuet was such an odd symbol for me: nothing I was interested in or for which I could find a strong association. Fred responded that the day before he had been looking for a place at the local community center where he could do line dancing. I didn't even know what line dancing was; he had to describe to me the various ethnic dances which involve dancing in a line.

This was one of many dreams that taught me this lesson: if an odd symbol seems to drop in out of the blue, it's probably not mine. I need to ask around, ask other folks what's happening in their waking and dreaming lives, because they might not look like their physical selves in the dream state. Fred is light-haired and taller than me; no wonder I didn't recognize him by appearance. Just had a funny feeling when we met.

By the way, this dream occurred about a year after Stephen LaBerge published his book, Lucid Dreaming. Already there were rumblings in the underground about the "dangers" of lucid dreaming. I certainly didn't want to sink to that level.

The Lucid Dream Exchange, 16 (2000), 6-7.

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